cantus firmus การใช้

• Clav . e Pedale, Canto fermo in Tenore ( cantus firmus chorale)
• Several composers used the technique without using the Hercules Dux cantus firmus.
• All three manual parts derive from elements of the cantus firmus.
• Of the former, two cantus firmus triadic sonorities, anticipating 16th-century practice.
• It sings to us like some deep and reassuring cantus firmus.
• Most of the surviving works are either polyphonic lines around a cantus firmus.
• The cantus firmus technique reached its apotheosis in " Harold in Italy ."
• The plain " cantus firmus " is in the soprano part.
• Scored for single manual and pedal, the unadorned cantus firmus is in the soprano voice.
• Even when playing beneath the " cantus firmus ", the contrapuntal writing is quite elaborate.
• The cantus firmus sometimes appeared simultaneously in other voices, using a variety of contrapuntal techniques.
• The cantus firmus of movement 3 is typically sung by the soprano of the choir.
• Writing in the cantus firmus style, for everyone except Berlioz, was like doing isometric exercises.
• De Orto's motets also usually use cantus firmus technique.
• There is exceptionally no cantus firmus, probably because of the exceptional length of the hymn.
• In the chorale prelude BWV 636 the plain cantus firmus is in the soprano voice.
• The cantus firmus of this ornamental chorale prelude was written by Louis Bourgeois in 1543.
• Examples of cantus firmus masses include " Corona Spinea " and " Gloria Tibi Trinitas ".
• Probably the most widely set of the secular cantus firmus melodies was " L'homme arm?".
• Between these two parts is a free alto line, with tenor cantus firmus in the pedal.